In this work phase
(1993-95), two diagonal-paths (through the 6-D hyper-cube) are
chosen in the way described in "Laserglyphs". Each work consists of
one thin black line and one thick grey line drawn on canvas. The
line width is inversely proportional to the decrease in color
intensity from black to grey. To visually maintain the inherent
connectivity only such lines can be chosen which have at least one
common point in the structure. Both lines have a visual
relationship comparable to the counterpoint of a succession of
sounds in music. For each work, the picture format is a result of
the size and location of the two diagonal-paths in relationship to
one another.
Published in exhibition catalog: Freimann - M.Mohr, Galerie Teufel Mahlberg 1993
Published in exhibition catalog: Chriftoph Freimann - Manfred Mohr, Galerie der Stadt Stuttgart 1994
Published in monograph: "Manfred Mohr", Waser Verlag, Zürich 1994