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This work phase (1966-69) introduces geometry and constructibility (but not yet the computer) into my work. In a subjective selection process, geometric elements influenced by electronic and other technical signs are created and distributed over the entire pictorial surface. They are mobile signs, that means, they are exchangeable signs. Since all signs (forms) are surrounded by a pictorial force, they create in their juxtaposition a network of abstract visual tension.

Exhibition catalog:    Manfred Mohr, "signes géométrique", Galerie Templon, Paris 1968
(Cimaise Bonaparte, Paris, 1968 - Opening delayed and gallery renamed due to May 1968 uprising)
(see invitation)       (see article by Catherine Millet)