My early artistic work was influenced by atonal music, modern Jazz
and abstract expressionism. The art of K.H. Sonderborg gave me a profound visual guidance and the understanding of Max Bense's philosophy a unique direction.
As a consequence, geometry and the reduction of my visual vocabulary to black and white as binary decisions, took more and more importance in my work after 1963.
Catalog Manfred Mohr, "Werkübersicht von 1965-1980", Galerie Teufel, Köln 1980
Manfred Mohr, "Fractured Symmetry, Algorithmic Works 1967-1987", Wilhelm-Hack-Museum, Ludwigshafen 1987
Monograph "Manfred Mohr", Waser Verlag, Zürich 1994